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Gloves Off
University Art Museum, Albany, Jun 30 - Sep 9, 2017

Gloves Off: University Art Museum, Albany

Past exhibition
  • Overview
  • Works
  • Installation Views
  • Press
  • Press release
Overview
Phyllis Diller, 2009 C-print mounted to Plexiglas 20 x 24 x 1/8 inches; (50.8 x 61 x 0.3 cm)
Phyllis Diller, 2009
C-print mounted to Plexiglas
20 x 24 x 1/8 inches; (50.8 x 61 x 0.3 cm)

Bringing together recent video, sculpture, and photography, Rafferty furthers her ongoing fascination with domesticity, the body, consumer culture, fashion, violence, and stand-up comedy in a kaleidoscopic view of contemporary culture on the edge. Organized by the Samuel Dorsky Museum of Art at SUNY New Paltz and curated by scholar and independent curator Andrew Ingall, Gloves Off is Sara Greenberger Rafferty's first comprehensive United States solo exhibition. The exhibition will open at the Dorsky in January 2017 and then travel to the University Art Museum where Rafferty will present a new site-determined installation.

  • Link
Download Press Release
Works
  • Phyllis Diller, 2009 C-print mounted to Plexiglas 20 x 24 x 1/8 inches; (50.8 x 61 x 0.3 cm)
    Phyllis Diller, 2009
    C-print mounted to Plexiglas
    20 x 24 x 1/8 inches; (50.8 x 61 x 0.3 cm)
  • Testing I (Whisk), 2009 Microphone stand and whisk variable, approx 60 inches (152.4 centimeters) high
    Testing I (Whisk), 2009
    Microphone stand and whisk
    variable, approx 60 inches (152.4 centimeters) high
  • Testing II (Baster), 2009 Microphone stand and baster variable, approx 60 inches (152.4 centimeters) high
    Testing II (Baster), 2009
    Microphone stand and baster
    variable, approx 60 inches (152.4 centimeters) high
  • Testing III (Spoon), 2009 Microphone stand and slotted spoon variable, approx 60 inches (152.4 centimeters) high
    Testing III (Spoon), 2009
    Microphone stand and slotted spoon
    variable, approx 60 inches (152.4 centimeters) high
  • Testing IV (Whisk), 2009 Microphone stand and whisk variable, approx 60 inches (152.4 centimeters) high
    Testing IV (Whisk), 2009
    Microphone stand and whisk
    variable, approx 60 inches (152.4 centimeters) high
  • Testing V (Scoop), 2009 Microphone stand and ice-cream scoop variable, approx 60 inches (152.4 centimeters) high
    Testing V (Scoop), 2009
    Microphone stand and ice-cream scoop
    variable, approx 60 inches (152.4 centimeters) high
  • On Aggression, On Agression, 2016 Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware Two objects, each irregular, overall 24 x 41 ½ x ½ inches (61 x 105.4 x 1.3 cm)
    On Aggression, On Agression, 2016
    Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware
    Two objects, each irregular, overall 24 x 41 ½ x ½ inches (61 x 105.4 x 1.3 cm)
  • Untitled, 2014 Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware Irregular, 83 ½ x 40 x ½ inches (212.1 x 101.6 x 1.3 cm)
    Untitled, 2014
    Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware
    Irregular, 83 ½ x 40 x ½ inches (212.1 x 101.6 x 1.3 cm)
  • Untitled, 2014 Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware Irregular, 91 x 40 x ½ inches (231.1 x 101.6 x 1.3 cm)
    Untitled, 2014
    Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware
    Irregular, 91 x 40 x ½ inches (231.1 x 101.6 x 1.3 cm)
  • Phyllis II, 2009 C-print mounted to Plexiglas 24 x 20 x 1/8 inches; (61 x 50.8 x 0.3 cm)
    Phyllis II, 2009
    C-print mounted to Plexiglas
    24 x 20 x 1/8 inches; (61 x 50.8 x 0.3 cm)
  • Phyllis, 2009 C-print mounted to Plexiglas 24 x 20 x 1/8 inches; (61 x 50.8 x 0.3 cm)
    Phyllis, 2009
    C-print mounted to Plexiglas
    24 x 20 x 1/8 inches; (61 x 50.8 x 0.3 cm)
  • Untitled, 2014 Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware Irregular, 72 x 40 ¼ x ½ inches (182.9 x 102.9 x 1.3 cm)
    Untitled, 2014
    Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware
    Irregular, 72 x 40 ¼ x ½ inches (182.9 x 102.9 x 1.3 cm)
  • Dress, 2016 Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware Irregular, 50 x 18 x ½ inches (127 x 45.7 x 1.3 cm)
    Dress, 2016
    Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware
    Irregular, 50 x 18 x ½ inches (127 x 45.7 x 1.3 cm)
  • Y2K Moschino Dress, 2016 Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware Irregular, 76 ½ x 40 x ½ inches (194.3 x 101.6 x 1.3 cm)
    Y2K Moschino Dress, 2016
    Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware
    Irregular, 76 ½ x 40 x ½ inches (194.3 x 101.6 x 1.3 cm)
  • Grid, 2016 Acrylic polymer, inkjet prints, and paper on acetate on Plexiglas, and hardware Irregular, 70 ½ x 24 x ½ inches (179 x 61 x 1.3 cm)
    Grid, 2016
    Acrylic polymer, inkjet prints, and paper on acetate on Plexiglas, and hardware
    Irregular, 70 ½ x 24 x ½ inches (179 x 61 x 1.3 cm)
  • Untitled, 2013 Acrylic polymer and inkjet print on acetate, Plexiglas, and hardware 35 ¾ x 24 x ½ inches (90.8 x 61 x 1.3 cm)
    Untitled, 2013
    Acrylic polymer and inkjet print on acetate, Plexiglas, and hardware
    35 ¾ x 24 x ½ inches (90.8 x 61 x 1.3 cm)
  • Untitled, 2014 Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware Irregular, 60 x 57 ½ x ½ inches (152.4 x 146.1 x 1.3 cm)
    Untitled, 2014
    Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware
    Irregular, 60 x 57 ½ x ½ inches (152.4 x 146.1 x 1.3 cm)
  • Untitled (for soapbox), 2014 Direct substrate-printed acetate, and hand-painted hardware 24 x 24 inches (61 x 61 cm)
    Untitled (for soapbox), 2014
    Direct substrate-printed acetate, and hand-painted hardware
    24 x 24 inches (61 x 61 cm)
  • Bills Prop, 2010 Direct substrate print on Plexiglas 12 ½ x 13 ¾ x ½ inches (31.8 x 24.9 x 1.3 cm)
    Bills Prop, 2010
    Direct substrate print on Plexiglas
    12 ½ x 13 ¾ x ½ inches (31.8 x 24.9 x 1.3 cm)
  • Chicken Prop, 2010 Direct substrate print on Plexiglas 27 x 11 x 1/2 inches (68.6 x 27.9 x 1.3 cm)
    Chicken Prop, 2010
    Direct substrate print on Plexiglas
    27 x 11 x 1/2 inches (68.6 x 27.9 x 1.3 cm)
  • Cuffs Prop, 2010 Direct substrate print on Plexiglas 5 ¾ x 16 ¾ x ½ inches (14.6 x 42.5 x 1.3 cm)
    Cuffs Prop, 2010
    Direct substrate print on Plexiglas
    5 ¾ x 16 ¾ x ½ inches (14.6 x 42.5 x 1.3 cm)
  • Double Apple Prop, 2011 Direct substrate printed plastic on Plexiglas and hardware 10 x 13 x 1/2 inches (25.4 x 33 x 1.3 cm)
    Double Apple Prop, 2011
    Direct substrate printed plastic on Plexiglas and hardware
    10 x 13 x 1/2 inches (25.4 x 33 x 1.3 cm)
  • Double Gun Prop, 2011 Direct substrate print on Plexiglas 9 1/2 x 45 x 1/2 in 24.1 x 114.3 x 1.3 cm
    Double Gun Prop, 2011
    Direct substrate print on Plexiglas
    9 1/2 x 45 x 1/2 in
    24.1 x 114.3 x 1.3 cm
  • Glasses Prop, 2010 Direct substrate print on Plexiglas 13 ½ x 12 ½ x 1/2 inches (34.3 x 31.8 x 1.3 cm)
    Glasses Prop, 2010
    Direct substrate print on Plexiglas
    13 ½ x 12 ½ x 1/2 inches (34.3 x 31.8 x 1.3 cm)
  • Mic Prop, 2010 Direct substrate print on Plexiglas 11 x 15 ½ x ½ inches (27.9 x 39.4 x 1.3 cm)
    Mic Prop, 2010
    Direct substrate print on Plexiglas
    11 x 15 ½ x ½ inches (27.9 x 39.4 x 1.3 cm)
  • Peel Prop, 2010 Direct substrate print on Plexiglas 10 x 16 3/4 x 1/2 inches (25.4 x 42.5 x 1.3 cm)
    Peel Prop, 2010
    Direct substrate print on Plexiglas
    10 x 16 3/4 x 1/2 inches (25.4 x 42.5 x 1.3 cm)
  • Pie Prop, 2010 Direct substrate print on Plexiglas 15 ¾ x 12 ½ x ½ inches (40 x 31.8 x 1.3 cm)
    Pie Prop, 2010
    Direct substrate print on Plexiglas
    15 ¾ x 12 ½ x ½ inches (40 x 31.8 x 1.3 cm)
  • Harold's Clock, 2006 C-print 16 x 16 inches (40.6 x 40.6 cm)
    Harold's Clock, 2006
    C-print
    16 x 16 inches (40.6 x 40.6 cm)
  • Lucy Not Funny, 2006 C-print 24 x 16 inches (61 x 40.6 cm)
    Lucy Not Funny, 2006
    C-print
    24 x 16 inches (61 x 40.6 cm)
  • Untitled (for stage), 2014 Direct substrate-printed acetate, and hardware 83 ⅜ x 52 inches (211.8 x 132.1 cm)
    Untitled (for stage), 2014
    Direct substrate-printed acetate, and hardware
    83 ⅜ x 52 inches (211.8 x 132.1 cm)
  • Jokes On You, 2016 Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware Six components, irregular, approximately 40 in x 19 ft. x ½ inches
    Jokes On You, 2016
    Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware
    Six components, irregular, approximately 40 in x 19 ft. x ½ inches
  • Gloves Off Reader, 2017
    Gloves Off Reader, 2017
  • IDENTIFY, 2017 Digital video 18 minutes, with sound
    IDENTIFY, 2017
    Digital video
    18 minutes, with sound
  • Window Piece, 2011 Direct substrate print on Plexiglas and hardware 74 x 35 x ½ inches (188 x 88.9 x 1.3 centimeters)
    Window Piece, 2011
    Direct substrate print on Plexiglas and hardware
    74 x 35 x ½ inches (188 x 88.9 x 1.3 centimeters)
  • Lights, 2011 Direct substrate print on Plexiglas dimensions variable, 90 x 52 x 1/2 inches (228.6 x 132.1 x 1.3 cm)
    Lights, 2011
    Direct substrate print on Plexiglas
    dimensions variable, 90 x 52 x 1/2 inches (228.6 x 132.1 x 1.3 cm)
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Installation Views
  • 20170820 Cmsgr 08 Plh
  • 20170820 Cmsgr 09 Plh
  • 20170820 Cmsgr 11 Plh
  • Img 5497
  • 20170820 Cmsgr 10 Plh
  • 20170820 Cmsgr 12 Plh
  • 20170820 Cmsgr 13 Plh
Close
Press
  • Sara Greenberger Rafferty: Gloves Off

    Alisa Chase , Afterimage , Jul 31, 2017
Press release

Bringing together recent video, sculpture, and photography, Rafferty furthers her ongoing fascination with domesticity, the body, consumer culture, fashion, violence, and stand-up comedy in a kaleidoscopic view of contemporary culture on the edge. Organized by the Samuel Dorsky Museum of Art at SUNY New Paltz and curated by scholar and independent curator Andrew Ingall, Gloves Off is Sara Greenberger Rafferty's first comprehensive United States solo exhibition. The exhibition will open at the Dorsky in January 2017 and then travel to the University Art Museum where Rafferty will present a new site-determined installation.

 

An illustrated catalogue, co-published by the Samuel Dorsky Museum and University Art Museum, will include an essay by exhibition curator Andrew Ingall, an essay by UAM curator Corinna Ripps Schaming, and an interview with Sara Greenberger Rafferty by Editor in Chief of The Third Rail, Jonathan Thomas.

 

Sara Greenberger Rafferty received her MFA from Columbia University in 2005. She has exhibited solo projects at The Kitchen, New York, MoMA PS1, New York, and The Suburban, Illinois. She has participated in many group shows at venues such as the Aspen Art Museum, Colorado; Neuberger Museum of Art, SUNY Purchase; Gagosian Gallery, New York; and the Jewish Museum, New York; and was included in the 2014 Whitney Biennial.

 

Funding for this exhibition has been provided by UAlbany's Office of the President and Office of the Provost, The University at Albany Foundation, and University Auxiliary Services (UAS). Sara Greenberger Rafferty: Gloves Off is organized by the Samuel Dorsky Museum of Art, State University of New York at New Paltz, curated by Andrew Ingall, and funded by a Foundation for Contemporary Arts Emergency grant. Gloves Off Reader, a site-determined installation will be featured at University Art Museum. 

Download Press Release
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