Sara Greenberger Rafferty ✅
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Tailored Content
Fine Arts Center Gallery, University of Arkansas, Fayetteville, Jan 22 - Feb 25, 2018

Tailored Content: Fine Arts Center Gallery, University of Arkansas, Fayetteville

Past exhibition
  • Overview
  • Works
  • Installation Views
  • Press release
Overview
BANANAS, 2009 Microphone stand, boom arm, Plexiglas, wire, Gaffer's tape 64 x 70 x 36 162.6 x 177.8 x 91.4 Edition of 3
BANANAS, 2009
Microphone stand, boom arm, Plexiglas, wire, Gaffer's tape
64 x 70 x 36
162.6 x 177.8 x 91.4
Edition of 3

During times of unrest, it becomes increasingly important to have an artist such as Sara Greenberger Rafferty. Her work explores vexing themes with the direct purpose of calling attention to social disarray. Whether addressing issues of gender through the lens of comedy or the ways in which government monitors citizens via technology, she does so with a sensibility that is trenchant and undeniable.

Rafferty has been unwavering in her cultural critiques over the past decade. Although her work is often incisive, perhaps it's her use of humor that allows for the work to connect with so many viewers. As a result, she creates a space to confront topics that are culturally odious. By doing so, however, she steers critical conversations and prods our collective consciousness in productive directions. 

  • Link
Works
  • BANANAS, 2009 Microphone stand, boom arm, Plexiglas, wire, Gaffer's tape 64 x 70 x 36 162.6 x 177.8 x 91.4
    BANANAS, 2009
    Microphone stand, boom arm, Plexiglas, wire, Gaffer's tape
    64 x 70 x 36
    162.6 x 177.8 x 91.4
  • Stage (Gilda), 2010 C-print mounted to Plexiglas 26 1/2 x 20 x 1/8 inches 67.3 x 50.8 x 0.3 cm
    Stage (Gilda), 2010
    C-print mounted to Plexiglas
    26 1/2 x 20 x 1/8 inches
    67.3 x 50.8 x 0.3 cm
  • No I, 2011-12 C-print 21 x 20 inches (45.7 x 53.3 cm)
    No I, 2011-12
    C-print
    21 x 20 inches (45.7 x 53.3 cm)
  • Untitled, 2013 Direct substrate print on Plexiglas 46 x 35 ⅞ x ½ inches (116.8 x 91.1 x 1.3 cm)
    Untitled, 2013
    Direct substrate print on Plexiglas
    46 x 35 ⅞ x ½ inches (116.8 x 91.1 x 1.3 cm)
  • Untitled, 2013 Acrylic polymer and inkjet prints on acetate, Plexiglas and hardware 39 ¾ x 34 ½ inches (101 x 87.6 cm)
    Untitled, 2013
    Acrylic polymer and inkjet prints on acetate, Plexiglas and hardware
    39 ¾ x 34 ½ inches (101 x 87.6 cm)
  • Window Legs, 2014 Fiberglass, stainless steel, inkjet print 47 x 20 x 13 inches (119.4 x 50.8 x 33 cm)
    Window Legs, 2014
    Fiberglass, stainless steel, inkjet print
    47 x 20 x 13 inches (119.4 x 50.8 x 33 cm)
  • Untitled, 2014 Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware Irregular, 36 x 40 ¼ x ½ inches (91.4 x 102.2 x 1.3 cm)
    Untitled, 2014
    Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware
    Irregular, 36 x 40 ¼ x ½ inches (91.4 x 102.2 x 1.3 cm)
  • Fig (Make a Fig), 2014 Direct substrate printed plastic and painted screws 75 x 28 inches (190.5 x 71.1 cm)
    Fig (Make a Fig), 2014
    Direct substrate printed plastic and painted screws
    75 x 28 inches (190.5 x 71.1 cm)
  • Printed Frame (Definition), 2014 Direct substrate printed plastic and hardware 50 x 40 inches (127 x 101.6 cm)
    Printed Frame (Definition), 2014
    Direct substrate printed plastic and hardware
    50 x 40 inches (127 x 101.6 cm)
  • Grid, 2016 Acrylic polymer, inkjet prints, and paper on acetate on Plexiglas, and hardware Irregular, 70 ½ x 24 x ½ inches (179 x 61 x 1.3 cm)
    Grid, 2016
    Acrylic polymer, inkjet prints, and paper on acetate on Plexiglas, and hardware
    Irregular, 70 ½ x 24 x ½ inches (179 x 61 x 1.3 cm)
  • Untitled (for stage), 2014 Direct substrate-printed acetate, and hardware 83 ⅜ x 52 inches (211.8 x 132.1 cm)
    Untitled (for stage), 2014
    Direct substrate-printed acetate, and hardware
    83 ⅜ x 52 inches (211.8 x 132.1 cm)
  • Gloves and Journal Script, 2016 Acrylic polymer, inkjet prints, and paper on acetate on Plexiglas, and hardware Irregular, 24 x 21 ¼ x ½ inches (61x 54 x 1.3 cm)
    Gloves and Journal Script, 2016
    Acrylic polymer, inkjet prints, and paper on acetate on Plexiglas, and hardware
    Irregular, 24 x 21 ¼ x ½ inches (61x 54 x 1.3 cm)
  • Desktop Construction, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 13 ⅞ x 11 inches (35.2 x 27.9 cm)
    Desktop Construction, 2016
    Acrylic polymer and inkjet print on acetate mounted to Plexiglas
    13 ⅞ x 11 inches (35.2 x 27.9 cm)
  • Comedy Girl, 2016 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 8 ⅝ x 11 inches (21.9 x 27..9 cm)
    Comedy Girl, 2016
    Acrylic polymer and inkjet print on acetate mounted to Plexiglas
    8 ⅝ x 11 inches (21.9 x 27..9 cm)
  • Thigh High, 2016 Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware 78 x 60 x ½ inches (198.1 x 152.4 x 1.3 cm)
    Thigh High, 2016
    Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware
    78 x 60 x ½ inches (198.1 x 152.4 x 1.3 cm)
  • Yearly Theme with Stockings, 2016 Acrylic polymer, inkjet prints, and nylon on acetate on Plexiglas, and hardware Irregular, 24 x 20 x ½ inches (61 x 50.8 x 1.3 cm)
    Yearly Theme with Stockings, 2016
    Acrylic polymer, inkjet prints, and nylon on acetate on Plexiglas, and hardware
    Irregular, 24 x 20 x ½ inches (61 x 50.8 x 1.3 cm)
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Installation Views
  • Fnar Sgr 2155
  • Fnar Sgr 2215
  • Fnar Sgr 2224
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Press release

Sara Greenberger Rafferty: Tailored Content

January 22 - February 25, 2018

Lecture: Thursday, January 25th at 5:30pm, Hillside Auditorium

 

During times of unrest, it becomes increasingly important to have an artist such as Sara Greenberger Rafferty. Her work explores vexing themes with the direct purpose of calling attention to social disarray. Whether addressing issues of gender through the lens of comedy or the ways in which government monitors citizens via technology, she does so with a sensibility that is trenchant and undeniable.

 

In an era where lunacy is championed and the line between fact and fiction has never been blurrier, it takes a level of clarity and commitment to make meaningful headway within the social landscape. Rafferty has been unwavering in her cultural critiques over the past decade. Although her work is often incisive, perhaps it's her use of humor that allows for the work to connect with so many viewers. As a result, she creates a space to confront topics that are culturally odious. By doing so, however, she steers critical conversations and prods our collective consciousness in productive directions. 

 

With each passing day, there seems to be a new account of sexual misconduct, political embattlement, or police brutality. While some would argue that these items are unrelated, most individuals that believe that these topics are intertwined. Gender, race, and power have long formed a triumvirate in American culture, but the contested politics of the present day haven't been seen since the protests for racial and gender equality of the1960s and 1970s. It is still unclear whether the current situation will generate lasting change, but it's impossible to deny the public outrage and social impact.

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