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Forum 85: Sara Greenberger Rafferty
Carnegie Museum of Art, Pittsburgh, PA, Oct 15, 2021 - Feb 6, 2022

Forum 85: Sara Greenberger Rafferty: Carnegie Museum of Art, Pittsburgh, PA

Past exhibition
  • Works
  • Installation Views
  • Press
  • Press release
Works
  • Store Display I, 2021 Fused glass and hardware 35 x 23 7/8 x 1/2 inches 88.9 x 60.6 x 1.3 cm
    Store Display I, 2021
    Fused glass and hardware
    35 x 23 7/8 x 1/2 inches
    88.9 x 60.6 x 1.3 cm
  • Store Display II, 2021 Fused and kiln-formed glass, hardware, and dried flowers component (left panel): H: 33 7/8 x W: 23 1/8 x D: 3/8 in. (86.04 x 58.74 x 0.95 cm) component (right panel): H: 35 5/16 x W: 24 x D: 3/8 in. (89.69 x 60.96 x 0.95 cm) component (each pocket, 12 total): H: 5 1/4 x W: 4 x D: 1 in. (13.34 x 10.16 x 2.54 cm)
    Store Display II, 2021
    Fused and kiln-formed glass, hardware, and dried flowers
    component (left panel): H: 33 7/8 x W: 23 1/8 x D: 3/8 in. (86.04 x 58.74 x 0.95 cm)
    component (right panel): H: 35 5/16 x W: 24 x D: 3/8 in. (89.69 x 60.96 x 0.95 cm)
    component (each pocket, 12 total): H: 5 1/4 x W: 4 x D: 1 in. (13.34 x 10.16 x 2.54 cm)
  • THE DEAD 20TH CENTURY (What was ♥ saved), 2021 Inkjet print on wallpaper 192 x 600 inches 487.7 x 1524 cm
    THE DEAD 20TH CENTURY (What was ♥ saved), 2021
    Inkjet print on wallpaper
    192 x 600 inches
    487.7 x 1524 cm
  • Tester One, 2020 Kiln-formed glass, photograph mounted to board, and hardware 19 x 26 x 1 inches (48.3 x 66 x 2.5 cm)
    Tester One, 2020
    Kiln-formed glass, photograph mounted to board, and hardware
    19 x 26 x 1 inches (48.3 x 66 x 2.5 cm)
  • Tester Two, 2020 Kiln-formed glass, photograph mounted to board, and hardware 19 1/4 x 19 1/2 x 1 inches (48.9 x 49.5 x 2.5 cm)
    Tester Two, 2020
    Kiln-formed glass, photograph mounted to board, and hardware
    19 1/4 x 19 1/2 x 1 inches (48.9 x 49.5 x 2.5 cm)
  • Tester Three, 2020 Kiln-formed glass, photograph mounted to board, and hardware 19 x 23 x 1 inches (48.3 x 58.4 x 2.5 cm)
    Tester Three, 2020
    Kiln-formed glass, photograph mounted to board, and hardware
    19 x 23 x 1 inches (48.3 x 58.4 x 2.5 cm)
  • Tester Four, 2021 Kiln-formed glass, photograph mounted to board, and hardware 19 x 24 1/2 x 1 inches 48.3 x 62.2 x 2.5 cm
    Tester Four, 2021
    Kiln-formed glass, photograph mounted to board, and hardware
    19 x 24 1/2 x 1 inches
    48.3 x 62.2 x 2.5 cm
  • Tester Five, 2021 Kiln-formed glass, photograph mounted to board, and hardware 19 x 26 x 1 inches 48.3 x 66 x 2.5 cm
    Tester Five, 2021
    Kiln-formed glass, photograph mounted to board, and hardware
    19 x 26 x 1 inches
    48.3 x 66 x 2.5 cm
  • Tester Six, 2021 Kiln-formed glass, photograph mounted to board, and hardware 19 x 20 x 1 inches 48.3 x 50.8 x 2.5 cm
    Tester Six, 2021
    Kiln-formed glass, photograph mounted to board, and hardware
    19 x 20 x 1 inches
    48.3 x 50.8 x 2.5 cm
  • Tester Seven, 2021 Kiln-formed glass, photograph mounted to board, and hardware 19 1/2 x 25 x 1 inches 49.5 x 63.5 x 2.5 cm
    Tester Seven, 2021
    Kiln-formed glass, photograph mounted to board, and hardware
    19 1/2 x 25 x 1 inches
    49.5 x 63.5 x 2.5 cm
  • Tester Eight, 2021 Kiln-formed glass, photograph mounted to board, and hardware 19 x 25 5/8 x 1 inches 48.3 x 65.1 x 2.5 cm
    Tester Eight, 2021
    Kiln-formed glass, photograph mounted to board, and hardware
    19 x 25 5/8 x 1 inches
    48.3 x 65.1 x 2.5 cm
  • Tester Nine, 2021 Kiln-formed glass, photograph mounted to board, and hardware 19 x 16 1/4 x 1 inches 48.3 x 41.3 x 2.5 cm
    Tester Nine, 2021
    Kiln-formed glass, photograph mounted to board, and hardware
    19 x 16 1/4 x 1 inches
    48.3 x 41.3 x 2.5 cm
  • Tester Ten, 2021 Kiln-formed glass, photograph mounted to board, and hardware 19 1/2 x 24 1/2 x 1 inches 49.5 x 62.2 x 2.5 cm
    Tester Ten, 2021
    Kiln-formed glass, photograph mounted to board, and hardware
    19 1/2 x 24 1/2 x 1 inches
    49.5 x 62.2 x 2.5 cm
  • Tester Eleven, 2021 Kiln-formed glass, photograph mounted to board, and hardware 19 x 24 3/8 x 1 inches 48.3 x 61.9 x 2.5 cm
    Tester Eleven, 2021
    Kiln-formed glass, photograph mounted to board, and hardware
    19 x 24 3/8 x 1 inches
    48.3 x 61.9 x 2.5 cm
  • Samples, 2021 Fused and kilnformed glass 72 x 106 x 4 inches 182.9 x 269.2 x 10.2 cm
    Samples, 2021
    Fused and kilnformed glass
    72 x 106 x 4 inches
    182.9 x 269.2 x 10.2 cm
  • Button, 2021 Fused and kiln-formed glass and hardware diameter 12 1/2 inches (31.8 cm)
    Button, 2021
    Fused and kiln-formed glass and hardware
    diameter 12 1/2 inches (31.8 cm)
  • Search Emoji, 2021 Fused and kiln-formed glass, and hardware 72 x 88 x 1 inches 182.9 x 223.5 x 2.5 cm
    Search Emoji, 2021
    Fused and kiln-formed glass, and hardware
    72 x 88 x 1 inches
    182.9 x 223.5 x 2.5 cm
Installation Views
  • Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA Photo by Bryan Conley.

    Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA

    Photo by Bryan Conley.

  • Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA Photo by Bryan Conley.

    Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA

    Photo by Bryan Conley.

  • Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA Photo by Bryan Conley.

    Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA

    Photo by Bryan Conley.

  • Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA Photo by Bryan Conley.

    Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA

    Photo by Bryan Conley.

  • Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA Photo by Bryan Conley.

    Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA

    Photo by Bryan Conley.

  • Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA Photo by Bryan Conley.

    Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA

    Photo by Bryan Conley.

  • Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA Photo by Bryan Conley.

    Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA

    Photo by Bryan Conley.

  • Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA Photo by Bryan Conley.

    Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA

    Photo by Bryan Conley.

  • Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA Photo by Bryan Conley.

    Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA

    Photo by Bryan Conley.

  • Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA Photo by Bryan Conley.

    Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA

    Photo by Bryan Conley.

  • Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA Photo by Bryan Conley.

    Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA

    Photo by Bryan Conley.

Press
  • Sara Greenberger Rafferty Captures The Void Where Shopping Used To Exist

    Brienne Walsh, Forbes.com, Nov 18, 2021
Press release

FORUM 85

The 85th installment of Carnegie Museum of Art’s Forum series presents new works by Brooklyn-based artist Sara Greenberger Rafferty (b. 1978). Rafferty creates connections between people and engages their senses with her multimedia practice which addresses ever-changing implications for photography in the digital era.

 

A former department store window dresser, Rafferty draws on her skills as a merchandiser to create alluring artworks that challenge stereotypical notions of beauty and gender. Her Make-up Testers incorporate photographs of colorful palettes to address the role of cosmetics and advertising imagery in creating unrealistic societal standards. Rafferty also uses images of mannequins to underscore the disconnect between how bodies are “supposed” to look versus how they actually look. The artist also presents a new site-specific mural, THE DEAD 20TH CENTURY (What ♥ was saved), which acts as a backdrop to several works and covers the largest wall in the gallery with thumbnail images of items for sale in online art, design, and furniture auctions.

 

Many of the works in the exhibition were created by a unique kiln-firing process that vitrifies images printed with powdered glass. Glass is the primary material for touchscreens on phones, tablets, and other personal electronic devices, which makes it an ideal medium for Rafferty’s process-driven practice.

 

Other imagery in the exhibition, including magnifying glasses, telephones, and power buttons, reference different senses. Aromas emanating from cut flowers Rafferty places in several of the pieces even create an olfactory experience.

 

Rafferty further encourages an active relationship with her artworks by including cut flowers in several of them. These flowers, which will be changed several times during the run of the exhibition, were selected by Carnegie Museum of Art’s Youth Arts Initiative, an advisory group focused on the engagement, advancement, and support of local Pittsburgh-area teens. Their selection, made in collaboration with museum staff and Rafferty, are intended to reflect the changing seasons and evoke the passage of time.

 

All works in the exhibition appear courtesy of the artist and DOCUMENT, Chicago.

 

ABOUT THE ARTIST

Since 2001, Sara Greenberger Rafferty (b. 1978 in Evanston, IL, lives and works in Brooklyn, NY) Rafferty has shown widely including solo exhibitions at MoMA PS1, New York; The Kitchen, New York; John Young Museum of Art, Honolulu, Hawaii; and a commissioned sculpture for the Public Art Fund. Gloves Off, the first traveling survey of her work with a fully illustrated catalogue published by SUNY Press, completed a three-venue tour at the end of 2017. Rafferty’s work has also been included in the Whitney and Hammer Biennials and is in the collections of the Solomon R. Guggenheim Museum, the Museum of Modern Art, New York, the Whitney Museum of American Art, and the Yale University Art Gallery among many others. Rafferty is an Associate Professor and Director of Graduate Studies in Photography at Pratt Institute. She received a BFA from Rhode Island School of Design and MFA from Columbia University’s School of the Arts.

 

ABOUT THE FORUM SERIES

Carnegie Museum of Art’s Forum series is a dynamic program of exhibitions by some of today’s most innovative contemporary artists. Initiated in 1990, the series has presented more than 80 exhibitions, including museum debuts for many artists who have gone on to achieve international renown.

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