Forum 85: Sara Greenberger Rafferty: Carnegie Museum of Art, Pittsburgh, PA
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Store Display I, 2021Fused glass and hardware35 x 23 7/8 x 1/2 inches
88.9 x 60.6 x 1.3 cm -
Store Display II, 2021Fused and kiln-formed glass, hardware, and dried flowerscomponent (left panel): H: 33 7/8 x W: 23 1/8 x D: 3/8 in. (86.04 x 58.74 x 0.95 cm)
component (right panel): H: 35 5/16 x W: 24 x D: 3/8 in. (89.69 x 60.96 x 0.95 cm)
component (each pocket, 12 total): H: 5 1/4 x W: 4 x D: 1 in. (13.34 x 10.16 x 2.54 cm) -
THE DEAD 20TH CENTURY (What was ♥ saved), 2021Inkjet print on wallpaper192 x 600 inches
487.7 x 1524 cm -
Tester One, 2020Kiln-formed glass, photograph mounted to board, and hardware19 x 26 x 1 inches (48.3 x 66 x 2.5 cm)
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Tester Two, 2020Kiln-formed glass, photograph mounted to board, and hardware19 1/4 x 19 1/2 x 1 inches (48.9 x 49.5 x 2.5 cm)
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Tester Three, 2020Kiln-formed glass, photograph mounted to board, and hardware19 x 23 x 1 inches (48.3 x 58.4 x 2.5 cm)
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Tester Four, 2021Kiln-formed glass, photograph mounted to board, and hardware19 x 24 1/2 x 1 inches
48.3 x 62.2 x 2.5 cm -
Tester Five, 2021Kiln-formed glass, photograph mounted to board, and hardware19 x 26 x 1 inches
48.3 x 66 x 2.5 cm -
Tester Six, 2021Kiln-formed glass, photograph mounted to board, and hardware19 x 20 x 1 inches
48.3 x 50.8 x 2.5 cm -
Tester Seven, 2021Kiln-formed glass, photograph mounted to board, and hardware19 1/2 x 25 x 1 inches
49.5 x 63.5 x 2.5 cm -
Tester Eight, 2021Kiln-formed glass, photograph mounted to board, and hardware19 x 25 5/8 x 1 inches
48.3 x 65.1 x 2.5 cm -
Tester Nine, 2021Kiln-formed glass, photograph mounted to board, and hardware19 x 16 1/4 x 1 inches
48.3 x 41.3 x 2.5 cm -
Tester Ten, 2021Kiln-formed glass, photograph mounted to board, and hardware19 1/2 x 24 1/2 x 1 inches
49.5 x 62.2 x 2.5 cm -
Tester Eleven, 2021Kiln-formed glass, photograph mounted to board, and hardware19 x 24 3/8 x 1 inches
48.3 x 61.9 x 2.5 cm -
Samples, 2021Fused and kilnformed glass72 x 106 x 4 inches
182.9 x 269.2 x 10.2 cm -
Button, 2021Fused and kiln-formed glass and hardwarediameter 12 1/2 inches (31.8 cm)
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Search Emoji, 2021Fused and kiln-formed glass, and hardware72 x 88 x 1 inches
182.9 x 223.5 x 2.5 cm
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Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA
Photo by Bryan Conley.
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Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA
Photo by Bryan Conley.
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Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA
Photo by Bryan Conley.
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Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA
Photo by Bryan Conley.
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Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA
Photo by Bryan Conley.
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Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA
Photo by Bryan Conley.
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Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA
Photo by Bryan Conley.
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Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA
Photo by Bryan Conley.
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Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA
Photo by Bryan Conley.
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Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA
Photo by Bryan Conley.
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Installation view, Forum 85: Sara Greenberger Rafferty, Carnegie Museum of Art, Pittsburgh, PA
Photo by Bryan Conley.
FORUM 85
The 85th installment of Carnegie Museum of Art’s Forum series presents new works by Brooklyn-based artist Sara Greenberger Rafferty (b. 1978). Rafferty creates connections between people and engages their senses with her multimedia practice which addresses ever-changing implications for photography in the digital era.
A former department store window dresser, Rafferty draws on her skills as a merchandiser to create alluring artworks that challenge stereotypical notions of beauty and gender. Her Make-up Testers incorporate photographs of colorful palettes to address the role of cosmetics and advertising imagery in creating unrealistic societal standards. Rafferty also uses images of mannequins to underscore the disconnect between how bodies are “supposed” to look versus how they actually look. The artist also presents a new site-specific mural, THE DEAD 20TH CENTURY (What ♥ was saved), which acts as a backdrop to several works and covers the largest wall in the gallery with thumbnail images of items for sale in online art, design, and furniture auctions.
Many of the works in the exhibition were created by a unique kiln-firing process that vitrifies images printed with powdered glass. Glass is the primary material for touchscreens on phones, tablets, and other personal electronic devices, which makes it an ideal medium for Rafferty’s process-driven practice.
Other imagery in the exhibition, including magnifying glasses, telephones, and power buttons, reference different senses. Aromas emanating from cut flowers Rafferty places in several of the pieces even create an olfactory experience.
Rafferty further encourages an active relationship with her artworks by including cut flowers in several of them. These flowers, which will be changed several times during the run of the exhibition, were selected by Carnegie Museum of Art’s Youth Arts Initiative, an advisory group focused on the engagement, advancement, and support of local Pittsburgh-area teens. Their selection, made in collaboration with museum staff and Rafferty, are intended to reflect the changing seasons and evoke the passage of time.
All works in the exhibition appear courtesy of the artist and DOCUMENT, Chicago.
ABOUT THE ARTIST
Since 2001, Sara Greenberger Rafferty (b. 1978 in Evanston, IL, lives and works in Brooklyn, NY) Rafferty has shown widely including solo exhibitions at MoMA PS1, New York; The Kitchen, New York; John Young Museum of Art, Honolulu, Hawaii; and a commissioned sculpture for the Public Art Fund. Gloves Off, the first traveling survey of her work with a fully illustrated catalogue published by SUNY Press, completed a three-venue tour at the end of 2017. Rafferty’s work has also been included in the Whitney and Hammer Biennials and is in the collections of the Solomon R. Guggenheim Museum, the Museum of Modern Art, New York, the Whitney Museum of American Art, and the Yale University Art Gallery among many others. Rafferty is an Associate Professor and Director of Graduate Studies in Photography at Pratt Institute. She received a BFA from Rhode Island School of Design and MFA from Columbia University’s School of the Arts.
ABOUT THE FORUM SERIES
Carnegie Museum of Art’s Forum series is a dynamic program of exhibitions by some of today’s most innovative contemporary artists. Initiated in 1990, the series has presented more than 80 exhibitions, including museum debuts for many artists who have gone on to achieve international renown.