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THE LAUGHTER
Document, Chicago, Nov 2 - Dec 22, 2018

THE LAUGHTER: Document, Chicago

Past exhibition
  • Overview
  • Works
  • Installation Views
  • Press
  • Press release
Overview
Wallpaper for THE LAUGHTER, 2018 Archival pigment print on wallpaper Dimensions variable
Wallpaper for THE LAUGHTER, 2018
Archival pigment print on wallpaper
Dimensions variable

THE LAUGHTER

Sara Greenberger Rafferty
November 2–December 22, 2018

Opening Reception
Friday, November 2
5:00–7:00pm

 

DOCUMENT is pleased to present THE LAUGHTER, an exhibition of new works by Sara Greenberger Rafferty, the artist’s second solo show with the gallery.

 

Using images pulled from from archival, stock, and dis­carded commercial film, primarily purchased via eBay, Rafferty’s works in plastic and silver gelatin prints present both colorful and achromatic versions of images which invoke the senses: hands, eyes, lips. These include scans of positive film, specifically slides, representing photographic exercises by teachers and students alike. While the imagery is quite historical, the evocations are quite contemporary. As Johanna Fateman recently noted in The New Yorker, Rafferty’s works [give] “random cultural artifacts the heft of major archeological finds.”

DOCUMENT is pleased to present THE LAUGHTER, an exhibition of new works by Sara Greenberger Rafferty, the artist’s second solo show with the gallery.

 

Using images pulled from from archival, stock, and dis­carded commercial film, primarily purchased via eBay, Rafferty’s works in plastic and silver gelatin prints present both colorful and achromatic versions of images which invoke the senses: hands, eyes, lips. These include scans of positive film, specifically slides, representing photographic exercises by teachers and students alike. While the imagery is quite historical, the evocations are quite contemporary. As Johanna Fateman recently noted in The New Yorker, Rafferty’s works [give] “random cultural artifacts the heft of major archeological finds.”

 

Sara Greenberger Rafferty has exhibited widely since 2001, including solo exhibitions at MoMA PS1, New York; The Kitchen, New York; Eli Marsh Gallery at Amherst College, Massachusetts; Fine Arts Center Gallery at University of Arkansas; and a commissioned sculpture for the Public Art Fund. Gloves Off, the first traveling survey of her work with accompanying fully illustrated catalogue published by SUNY Press, completed a three-venue tour last year.

 

The artist was included in the 2014 Whitney Biennial and the 2014 Hammer Biennial in addition to group shows at the Portland Institute for Contemporary Art, Oregon; Museum of Contemporary Art San Diego, California; and The Jewish Museum, New York, among many others. Her work is included in the collections of the Museum of Modern Art, the Whitney Museum of American Art, and the University of Chicago Booth School of Business. Rafferty is Associate Professor and Director of Graduate Studies in Photography at Pratt Institute in Brooklyn.

Download Press Release
Works
  • 1, 2018 Gelatin silver print 20 x 16 inches (50.8 x 40.6 cm)
    1, 2018
    Gelatin silver print
    20 x 16 inches (50.8 x 40.6 cm)
  • 2, 2018 Gelatin silver print 20 x 16 inches (50.8 x 40.6 cm)
    2, 2018
    Gelatin silver print
    20 x 16 inches (50.8 x 40.6 cm)
  • 3, 2018 Gelatin silver print 20 x 16 inches (50.8 x 40.6 cm)
    3, 2018
    Gelatin silver print
    20 x 16 inches (50.8 x 40.6 cm)
  • 4, 2018 Gelatin silver print 20 x 16 inches (50.8 x 40.6 cm)
    4, 2018
    Gelatin silver print
    20 x 16 inches (50.8 x 40.6 cm)
  • 5, 2018 Gelatin silver print 20 x 16 inches (50.8 x 40.6 cm)
    5, 2018
    Gelatin silver print
    20 x 16 inches (50.8 x 40.6 cm)
  • 6, 2018 Gelatin silver print 20 x 16 inches (50.8 x 40.6 cm)
    6, 2018
    Gelatin silver print
    20 x 16 inches (50.8 x 40.6 cm)
  • 7, 2018 Gelatin silver print 20 x 16 inches (50.8 x 40.6 cm)
    7, 2018
    Gelatin silver print
    20 x 16 inches (50.8 x 40.6 cm)
  • 8, 2018 Gelatin silver print 20 x 16 inches (50.8 x 40.6 cm)
    8, 2018
    Gelatin silver print
    20 x 16 inches (50.8 x 40.6 cm)
  • 9, 2018 Gelatin silver print 20 x 16 inches (50.8 x 40.6 cm)
    9, 2018
    Gelatin silver print
    20 x 16 inches (50.8 x 40.6 cm)
  • Color Bar Composition, 2018 Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware irregular, 60 x 63 x 1/2 inches (152.4 x 160 x 1.3 cm)
    Color Bar Composition, 2018
    Acrylic polymer and inkjet prints on acetate on Plexiglas, and hardware
    irregular, 60 x 63 x 1/2 inches (152.4 x 160 x 1.3 cm)
  • Slides I (University of Michigan Extension), 2018 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 17 x 21 1/2 inches (43.2 x 54.6 cm)
    Slides I (University of Michigan Extension), 2018
    Acrylic polymer and inkjet print on acetate mounted to Plexiglas
    17 x 21 1/2 inches (43.2 x 54.6 cm)
  • Slides II (University of Michigan Extension), 2018 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 17 x 21 1/2 inches (43.2 x 54.6 cm)
    Slides II (University of Michigan Extension), 2018
    Acrylic polymer and inkjet print on acetate mounted to Plexiglas
    17 x 21 1/2 inches (43.2 x 54.6 cm)
  • Ringaround, 2018 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 16 1/2 x 23 1/2 inches (41.9 x 59.7 cm)
    Ringaround, 2018
    Acrylic polymer and inkjet print on acetate mounted to Plexiglas
    16 1/2 x 23 1/2 inches (41.9 x 59.7 cm)
  • Red Hand, 2018 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 16 x 20 inches (40.6 x 50.8 cm)
    Red Hand, 2018
    Acrylic polymer and inkjet print on acetate mounted to Plexiglas
    16 x 20 inches (40.6 x 50.8 cm)
  • Eye Test (University of Michigan Extension), 2018 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 16 x 20 inches (40.6 x 50.8 cm)
    Eye Test (University of Michigan Extension), 2018
    Acrylic polymer and inkjet print on acetate mounted to Plexiglas
    16 x 20 inches (40.6 x 50.8 cm)
  • Yellow Wall, 2018 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 16 x 20 inches (40.6 x 50.8 cm)
    Yellow Wall, 2018
    Acrylic polymer and inkjet print on acetate mounted to Plexiglas
    16 x 20 inches (40.6 x 50.8 cm)
  • Meds II, 2018 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 16 3/4 x 20 3/4 inches (42.5 x 52.7 cm)
    Meds II, 2018
    Acrylic polymer and inkjet print on acetate mounted to Plexiglas
    16 3/4 x 20 3/4 inches (42.5 x 52.7 cm)
  • Double Wall, 2018 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 16 x 30 1/2 inches (40.6 x 77.5 cm)
    Double Wall, 2018
    Acrylic polymer and inkjet print on acetate mounted to Plexiglas
    16 x 30 1/2 inches (40.6 x 77.5 cm)
  • Dollar Test (University of Michigan Extension), 2018 Acrylic polymer and inkjet print on acetate mounted to Plexiglas 16 x 20 inches (40.6 x 50.8 cm)
    Dollar Test (University of Michigan Extension), 2018
    Acrylic polymer and inkjet print on acetate mounted to Plexiglas
    16 x 20 inches (40.6 x 50.8 cm)
  • Wallpaper for THE LAUGHTER, 2018 Archival pigment print on wallpaper Dimensions variable
    Wallpaper for THE LAUGHTER, 2018
    Archival pigment print on wallpaper
    Dimensions variable
Installation Views
  • Installation view, THE LAUGHTER, 2018

    Installation view, THE LAUGHTER, 2018

  • Installation view, THE LAUGHTER, 2018

    Installation view, THE LAUGHTER, 2018

  • Installation view, THE LAUGHTER, 2018

    Installation view, THE LAUGHTER, 2018

  • Installation view, THE LAUGHTER, 2018

    Installation view, THE LAUGHTER, 2018

  • Installation view, THE LAUGHTER, 2018

    Installation view, THE LAUGHTER, 2018

  • Installation view, THE LAUGHTER, 2018

    Installation view, THE LAUGHTER, 2018

  • Installation view, THE LAUGHTER, 2018

    Installation view, THE LAUGHTER, 2018

  • Installation view, THE LAUGHTER, 2018

    Installation view, THE LAUGHTER, 2018

  • Installation view, THE LAUGHTER, 2018

    Installation view, THE LAUGHTER, 2018

  • Installation view, THE LAUGHTER, 2018

    Installation view, THE LAUGHTER, 2018

Press
  • View of “Sara Greenberger Rafferty,” 2018. Foreground: 3, 2018. Background: Wallpaper for THE LAUGHTER, 2018.

    Review: Sara Greenberger Rafferty

    Michelle Grabner, Artforum, Mar 1, 2019
Press release

DOCUMENT is pleased to present THE LAUGHTER, an exhibition of new works by Sara Greenberger Rafferty, the artist’s second solo show with the gallery.

 

Using images pulled from from archival, stock, and dis­carded commercial film, primarily purchased via eBay, Rafferty’s works in plastic and silver gelatin prints present both colorful and achromatic versions of images which invoke the senses: hands, eyes, lips. These include scans of positive film, specifically slides, representing photographic exercises by teachers and students alike. While the imagery is quite historical, the evocations are quite contemporary. As Johanna Fateman recently noted in The New Yorker, Rafferty’s works [give] “random cultural artifacts the heft of major archeological finds.”

 

Sara Greenberger Rafferty has exhibited widely since 2001, including solo exhibitions at MoMA PS1, New York; The Kitchen, New York; Eli Marsh Gallery at Amherst College, Massachusetts; Fine Arts Center Gallery at University of Arkansas; and a commissioned sculpture for the Public Art Fund. Gloves Off, the first traveling survey of her work with accompanying fully illustrated catalogue published by SUNY Press, completed a three-venue tour last year.

 

The artist was included in the 2014 Whitney Biennial and the 2014 Hammer Biennial in addition to group shows at the Portland Institute for Contemporary Art, Oregon; Museum of Contemporary Art San Diego, California; and The Jewish Museum, New York, among many others. Her work is included in the collections of the Museum of Modern Art, the Whitney Museum of American Art, and the University of Chicago Booth School of Business. Rafferty is Associate Professor and Director of Graduate Studies in Photography at Pratt Institute in Brooklyn.

Download Press Release
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